Recommended Reading

by Mushrush

A high-end slave broker spots his next acquisition on Skid Row: a nineteen-year-old junkie already owned by his dealer and addiction. He buys a fix, then ibogaine, then a new name. The pitch isn't obedience training, it's harm reduction. Breaking has already happened; the dealer just needs to take possession.

by Mushrush

A samba ensemble assigned to body parts: surdo on the torpedo, caixa on the glans, agogô on the sound, tamborim on the balls, pandeiro on the nips. The Electrician conducts. The boy sings each instrument's part involuntarily.

by Mushrush

Three case files, three pathways into Fletcher House: the Marine taken from a Hilton parking lot, the soccer midfielder spotted at a Nebraska skins-and-shirts game, the kinesiology student who walks himself in through a sex-toy catalog shoot. Recruitment as taxonomy.

by Mushrush

The capture is framed as a porn shoot: clapboards, three-camera setup, dub-later dialogue, eight co-producers each buying a four-hour fantasy day. The captive is also the talent. Settlement arrives in a sealed envelope with a cashier's check.

by Mushrush

Framed as a writer's commission for a Harvest Festival coffee-table book. The Yearling Games have five events: hard on command, cum while fucked, cum for distance, cum for repetition, cum for volume. Athletic categories for a livestock show.

by Pete Brown

Pete Brown's processing facility runs on calibrated indignity. The cattle-prod demonstration on the first man out of the van isn't punishment — it's curriculum. The doctor, mid-rectal-exam, chats about how "proper muscle from labour" fetches higher prices than gym muscle. Bodies enter as cargo, exit as inventory.

by Pete Brown

The hook is one detail above the rest: he was taken to order. A buyer specified the age, the height, the build. The holding facility's floors are electrified so guards don't carry prods. The shipping spec — "lightly clothed" — is itself a kink the new owner pre-ordered.

by Jake Ward

Winn, an abducted rich kid, is unzipped from a feces-stinking canvas bag by two compound slaves ordered to wash him before the Doctor will examine the merchandise. The hierarchy lands instantly: degraded by the men whose assignment is to clean him.

by Christian Debus

A young estate-owner, Andy, sells his steward Toby — the slave he has bedded since boyhood — to fund a bronze statue, after a "free" appraisal by the dealer reminds Toby he is livestock. Toby's anguished shouts from the inspection yard are the only emotional outburst, and Andy drives away.

by "anonymous4371@juno.com"

Juan, a wealthy Brazilian slave-breeder hosting an American houseguest, tops cinnamon rolls with cum from a teenage kitchen slave kept on-site, and lectures over coffee on breeding farms versus prison stock. The horror is in the domestic register: condiments, upholstery hides, matched-color chauffeurs as accessories to the car.

by Pete Brown

Framed as a sixty-year-old banker's pillow-talk recollection while a borrowed sheikh's slave lies beside him. The conceit escalates by procurement: a rival emir owns identical twins, so this one orders quads. Inside-leg measurements match; the two uncut ones get surgically corrected for visual symmetry.

by Pete Brown

Inverted-race dystopia where whites are the underclass and slaves still outrank them in courtesy. A bright inner-city white boy's teacher lays out the Butler Doctrine, named for the economist who rebuilt the post-crash economy: three classes equal within themselves, never across, separate buses and seating included.

by Anonymous4371

A reclusive billionaire stocks his private Indian Ocean island with six hundred slaves and hosts five international dealers for the weekend; each arrives bearing a slave as a house gift, one Greek boy wearing a red velvet bow tied around his genitals. At dinner, the waiters are milked into the guests' plates as cocktail sauce.

by Brown Pete

The trainer is a bored CEO who buys the marine as an executive expense write-off and proceeds to inspect the soundproofed sub-basement his late father built for unfinished slave projects. Slavery as inherited estate infrastructure, kept in working order by maintenance staff.

by Luc Milne

The narrator evaluates a breeder's dryness by riding him on a leather platform while the owner's nephew kneels between his thighs supplying lube from his own mouth and precum. Procurement as quality-control test, with the buyer's hole as the assay tool.

by Christian Q

Roman-tavern slavery told from within the labor: piss-pots emptied before dawn, urine sold to the fullers, the new slave learning that his virginity will be auctioned to drunk patrons in ten nights. The world isn't built around the protagonist; he's overheard inside it.

by Anonymous4371

A fabricated U.N. report frames the demographic — disappearance rates by country, age brackets, body types. Two parallel warehouses are then described: one for trainees from cultures that grew up around slavery, one for Westerners who first need to be "broken" to the concept. The taxonomy is the story.

by Ben Hur

A failed guard is branded with the same iron, collared the same way, given the next sequential slave number, and dropped into the cell beside men he was guarding hours earlier. What's distinct is how his former colleagues then refuse to recognize him — comradeship erased on procedural grounds, not emotional ones.

by itsaslave slave 640

A rancher who works slaves to crucifixion buys a fresh nineteen-year-old at market while bringing along his current favorite, scarred and weeks from his own cross, as a living preview. The whole transaction unfolds through the buyer's interior, no scene of use, just appraisal and the calculation of the older slave's coming end.

by Anonymous4371

The whole chapter is two Roman gentlemen comparing stock and haggling. Slaves are inspected mid-conversation, milked in the open street as a sample of "output," and bought on terms — banding, soldered collars, nose-rings — dictated to the dealer like spec sheets.

by Pete Brown

A morning commute spent cataloguing a stranger's body for thirty paragraphs, ending on a glimpsed wrist tattoo. The reveal recasts every prior speculation as ownership inventory rather than fantasy, and the narrator returns home to his own slave without comment.

by Christian Debus

The narrator drives his pony to a court summons and pauses in the yard to watch seven new convicts being herded naked from the courtroom to the blacksmith's forge for branding. Slavery as municipal infrastructure — court, forge, dealer's pen — all sharing one back lot.

by Pete Brown

The selection scene runs the same logic twice: first the buyers eliminate by race and proportion in fatigues, then they order the boxers off and eliminate by cock size. The narrator-victim watches a comrade rejected for being out of proportion and stays silent.

by Mark James

The hook is the Kathara cut — a religious surgery the brothel bribed temple priests to perform on its boy whores, sewing the hole tight and piercing the cock through the head so it never hardens again. Sacred mutilation sold as luxury product.

by Pete Brown

Steve is the owner's gymnast and personal trainer, pampered above the field coffles, and the niggas treat him as collaborator until he sheds his shorts to take the tawse bare like them. The caning scene ends with the master's teenage son asking to pull the shorts down himself.

by Jean-Christophe / Christian Debus / Servus4u

Race-reversed setting where a Black buyer at a Black-owned emporium picks a white father and son out of a fresh Arab-slaver shipment because they remind him of himself and his own teenage son. Sentimentality as purchase logic. Co-authored, so the registers wobble; the premise carries it.

by Anonymous4371

Narrated by the trainer as a generational memoir. Father teaches son the trade across three childhood vignettes — penis-ringing, the ritual first fucking on the rutting bench, why slaves stay naked — before the son ever picks up a whip himself. Pedagogy is the genre.

by Anonymous4371

The narrator is property 512, son of the stud Aristotle, who has sired 1300 head and is sold off in the same lot as his offspring. The voice is the bred slave's own — flat, genealogical, untroubled by the fact that "Master Winfield's studbook" is the only family record he has.

by Pete Brown

A young heir to a Southern logistics demesne writes giddy emails to a college buddy across the ideological divide about his first day picking dray slaves from northern POWs, his enthusiasm sitting alongside the friend's increasingly appalled replies. Sale, collaring, branding, all narrated like a frat hazing.

by Anonymous4371

A bankrupt American is invited to Namibia and walked through the books. Beddington recites per-head upkeep, depreciation, organ-resale value and hourly cost against union wages; the human ponies, the farm whips and the appliance factory are quoted as line items in a labor-cost solution.

by Jean-Christophe / Christian Debus / Servus4u

A first-person confession told from inside the betrayal. The narrator was once led calmly through delousing and branding by a serene companion; six months on he is that companion, knowing by the end that his own replacement is already on the next transporter.

by Pete Brown

The dealer explains the business model out loud: a buyer at this price tier knows the paperwork is fraudulent and doesn't want to know more. The protagonist's plan to protest his way out is dismantled before he's even crated, by the men selling him.

Epilogue logic: the two pleasure-pain devices implanted in the protagonists can't be removed without killing them, so when their tenure as bar exhibit ends, they have to be re-auctioned. The story's interest is the device's market afterlife, not its first use.

by Pete Brown

The narrator was selected by lottery at age one and raised inside the family knowing it. His sixteenth-birthday processing day is rendered as graduation: parents drop him at the centre, he walks the last yards alone so any tears can dry before reception.

by Gerry Taylor

Mid-series chapter mostly given over to a single examination scene: each new slave milked prostate-first on a wooden table, his semen tasted and dictated to a note-taker ("Prostate: down and right. Semen: nuts"). Inventory as foreplay, foreplay as inventory.

by Steam Train

An authorized continuation. A man enslaved for fathering a child out of wedlock now caddies at Piney Hills Golf Club: tattooed, ringed, bit-gagged, occasionally promoted to "Alpha Caddy" for golfers who want course advice without quite admitting they're talking to a man. Institutional drift over plot.

by slave boy

Frank, a new neighbor, hosts a pool party that quickly becomes a glory-hole shed where the visiting couple's boss, school principal, and swim coach queue to use them. His proposal afterward: adopt their teenage sons, lease the boys' tuition-priced post-college labour, permanently collar the husbands.

by Master Redbeard

Debt-slavery dystopia where the religious catechism is sincere: God gives wealth, and slavery, to those who deserve them. Captain Winston collects the boy at the door, and later arranges for the boy's own father to come down his throat. Compliance through liturgy.

by Bastian Ward

Livestock International runs out of Melbourne grain silos that look derelict from the road. Inside: a refitted office block, a global buyer network of royalty and maharajas, modification catalogs, and paperwork so thorough the slaves arrive with death certificates. Tomas brings his first slave to sell and leaves having given his best friend power of attorney and gotten himself a guiche piercing — both of which are precisely what Livestock International requires to process him as their next lot. Seventeen chapters of meticulous world-building around institutional slavery, where the horror is administrative.

by Pete Brown

A liberal Northern teenager gets drunk in Florida, catches a drunk-and-disorderly charge, and wakes sentenced to lifetime slavery. Branded, chipped, entered in a sale catalogue. Brown's cruelty is bureaucratic. The spine of it is the ex-Marine studded out beside him, hired to breed women and then broken into wanting a man.

by Pete Brown

A captured Marine is sham-court-martialled as a rebel after the slavery South wins the second civil war, branded '639,' and sold into a gladiator stable where the bouts end in a public fuck. It's told as a freed man's memoir. Then he enslaves his own sons, to make them brothers.

by Pete Brown

The smug heir to a slave plantation refuses his uncle's breeding demand. So the uncle has him abducted, branded, and sold back to his own estate under a dead man's name, stabled next to the pony he used to whip. Every cruelty he catalogued in chapter one lands on him, in his own unbroken voice.

by Randall Austin

California legalises selling your bankrupt adult children, and Christopher goes to a farm-cannery for life. The trick is the narrator: his free best friend, who slides from horror into running the work gang, until the final chapter collars him too. The cruelty arrives in HR euphemism. Chastening, not beating.

by Richard Davies

An eighteen-year-old lets his debt-ridden father pledge him as loan collateral 'in name only.' The bank, and the father's ex-army lodger, make the name the whole of him. By the end the boy is a hardened overseer, choosing a quiet and deniable revenge on the master who broke him.

by Bill Smith

Slavery goes global and consolidates under twenty corporations. Slaveco turns its Kansas City pens into a twenty-one-cage plant sorted by origin, and the heat is all in the logistics: ninety-day guarantees, trade-in credit, output measured and tasted. A slave-market operations manual with the sex left in.

by Bill Smith

A dirt-poor heir inherits a slave-training empire and tours it, intake to auction floor to breeding farm, hardening into a magnate across twenty-five years. Everything is priced. The engine underneath is eugenic livestock science: rutting benches, milk-studs, an engineered 'Bates Best' line.

by Jean-Christophe

An inverted world where every white is Black-owned property. A comfortable stockbroker shops the Slave Emporium for his nephew's eighteenth and picks a weeping import to be shaved, collared, gift-wrapped, and left under the tree. The horror is all in the buyer's genial voice. Dehumanisation served with danishes and a loyalty discount.

by amh

A rich gay antiques dealer, drugged and passed around, begs a shaved-headed cowboy to erase him. House, car, name, all of it, keeping him as chained livestock on a Carolina farm. His own fantasy of total erasure is the engine, and it metastasises into a whole economy of Masters, auctions, and bondage contests with penalty clauses.

by Bill Smith

An Italian collector phones an Aegean trafficking house to order eight matched young men, bought as bearers for a Roman litter and chained to the poles by welded tit-rings, conditioned to stand hard at the sight of it. It runs on provenance files and price-haggling. The stock is milked at dawn and the master drinks it as breakfast.

by Anonymous

Near-future America pays its foreign debt in young men, rounded up at a football game and shipped to Gulf masters at twenty thousand a head. Olly is auctioned naked off a stadium stage. Across forty-four chapters he stops being the tribute and becomes the man who owns the next one.